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Macro Photography Technique Discussions on Macro Photography |
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#81
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Christine,
Tomorrow I will reverse a 50 onto another 50 and 105 to see the level of magnification and if there is vignetting how much. So hold on until then. As I discovered this evening for an experiment of Daves set up, 50 reversed on a 200 gives huge magnifiction. 5 1/2 mm is all you will see in the long side of the viewfinder. The pogram works well but I have only done staight stacks. I will post screen grabs of the route I took. The prog is quite complicated so I just took the easy way out once I had found it. Don |
#82
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I have a set of Olympus OM bellows which haven't seen much use in recent years but by adding the 'Focus Stage' and removing the actual bellows bit you have a first class unit to fit many cameras. Finding a focus stage for sale is the hard bit - I eventually homed-in on one (new!) at B&H in New York at a very reasonable price. B&H seem to have a bit of a 'mixed' rating from customers but I ordered my unit on a Thursday morning and it arrived the following Tuesday morning. This was a few weeks ago when the exchange rate was about $2 to the £ and the total cost including quite a lump for postage was £44
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Adey http://www.birdforum.net/pp_gallery/...00/ppuser/1805 'Write when there is something you know: and not before: and not too damned much after' Ernest Hemingway |
#83
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The images were taken in RAW and converted to Tiff 8bit as I don't think the program can handle 16 bit. I guess they could just have easily been Best Quality JPEGs. The important thing is that they are in the same folder. I numbered them 1, 2, 3, 4 etc as I converted them so they would load sequentially.
Open CZM and select File - New then navigate to the folder containing the images. Hold down Control key and select all the images you wish to stack. Once selected go to Macro and select - Do Stack. Then sit back while the program does the stack. Once stacked save for Photoshoping. Don |
#84
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Thanks for that Don, I can't wait to give it a try tomorrow, I will try first with the bellows for the macro.
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Christine Iwancz Gallery upload limit is 4 photos per 24hrs Gallery Posting Guidelines here http://ciphotography.freehostia.com/index.php Equipment= Canon 7D, 40D, 400 f5.6, 75-300, 100mm Macro, 18-55, Canon 70-200 f4, Tokina 12-24mm, Kenko pro 300 1.4,1.5 and 2.0x, Jessops ext tube set, Canon 580 flash. Home made ring flash. . Close-lens. |
#85
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Christine, Here are a set of full frame pics to show the magnification effect of reversing a 50mm lens on another lens. 50 on a 50 shows serious vignetting. A steel ruler marked in milimeters was used so you can see how large or should I say small the field of view is. Pic 1 : 200mm f4 with reverse 50mm f1.4 Pic 2 : 105mm f2.5 with reversed 50mm f1.4 Pic 3 : 50mm f1.4 with rversed 50mm f2 Pic 4 : The lunatic fringe and just for fun, 200mm f4 with reversed 24mm f2.8. Focussing this is a nighmare. Don |
#86
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Thanks Don, that been a big help, saves me some money and we could do without extra expense at the moment. The magnification looks great with the 200mm and reversed 50mm, I will set my 75-300 to 200 and see what I can get.
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Christine Iwancz Gallery upload limit is 4 photos per 24hrs Gallery Posting Guidelines here http://ciphotography.freehostia.com/index.php Equipment= Canon 7D, 40D, 400 f5.6, 75-300, 100mm Macro, 18-55, Canon 70-200 f4, Tokina 12-24mm, Kenko pro 300 1.4,1.5 and 2.0x, Jessops ext tube set, Canon 580 flash. Home made ring flash. . Close-lens. |
#87
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Thanks for the links Adey and Don. I've put the 454 micro positioning plate on my "must get when the cash is available" list.
Dave |
#88
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__________________
Adey http://www.birdforum.net/pp_gallery/...00/ppuser/1805 'Write when there is something you know: and not before: and not too damned much after' Ernest Hemingway |
#89
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http://www.digitaldepot.co.uk/acatal...cessories.html They are a bit cheaper. I also ordered a Kirk quick release platform, and I'll get a Chinese AS plate. |
#90
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Dave |
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